This unique portrayal of Buddha embodies calmness and composure while incorporating decorative elements. The minimalistic design and serene environment make it ideal for meditation, peace, and focus. The serigraph emphasizes technical precision through scraping and roller techniques, showcasing a rich palette with various shades for depth and tone.
Born in 1962 in Vadodara, Gujarat, Bhaarti Prajapati studied design at the National Institute of Design (NID) in Ahmedabad. She has garnered numerous accolades, including the Critics’ Choice Award from the World University of Design, the Bharat Kala Ratna Award, the Lalit Kala Gaurav Puraskar, and the FICCI Women Achiever Award. Prajapati’s diverse background and design exposure provide her with a unique, empathetic perspective in her paintings. Her deep appreciation for Indian art as a means of communication enriches her work, allowing her to convey sensitivity to Indian narratives across literature, art, culture, and tradition. Her artistic journey is further enhanced by her travels and interactions with rural craftsmen and artisans, highlighting the connection between literature and art.
The first thing that captures attention in the Buddha’s depiction is the gradation of grey and yellow. The calm expression is conveyed through smooth grey tones, which transition organically rather than appearing as patches. This technique also applies to the hues of grey and yellow on the figure’s body. The background features multiple shades of yellow, adding vibrancy and softness, while green leaves are strategically used to enhance the composition. The interplay of orange and yellow demonstrates a thoughtful approach to color usage.
The strokes in the leaves and deer across all prints are consistent. The lines are meticulously created, layered with green, orange, and yellow tones. Countless fine lines can be observed in the background and foliage. The oil color effect, smooth color transitions, and innovative scraping technique are hallmarks of this work. Each line is distinct, and the rich texture is palpable even in a serigraph. This work has earned national and international awards, including Printweek and Fespa. Created with 92 color tones, it remains a favorite for gifts, decor, and collections. Bharti Prajapati’s work evokes Shanta Rasa, for its tranquility, peace, and calmness.
Prajapati’s diverse background and design exposure allow her to bring a unique and empathetic perspective to her paintings. Her deep appreciation for Indian art as a means of communication shapes her work, nurturing a sensitivity to Indian narratives across literature, art, culture, and tradition. Her artistic journey is enriched by her travels and interactions with rural craftsmen and artisans, emphasizing the interdependence of literature and art.
This interconnectedness serves as the foundation for her work, where she delves into the Dohas of Saint Kabir, interpreting them through her distinct visual language. Her work often contemplates life’s meaning, drawing inspiration from Indian traditions, mythology, and textiles. Characterized by a vibrant palette of earthy reds, ochres, and vivid indigos..
Her work “जल में कुंभ, कुंभ में जल है, बाहर भीतर पानी” translates to: “In water, there is the pot; in the pot, there is water; outside and inside, it is all water. When the pot breaks, the water merges back into the ocean. Thus, the wise say, it is all about the essence of water.” This metaphor illustrates the interconnectedness of the self and the universe, reminding us that distinctions—like the pot and the water—ultimately dissolve into a shared essence.
With her unique figures, vibrant colors, and nuanced tonal values inspired by nature, Prajapati’s works are highly sought after by collectors. This work of hers has the fragrance of Madhurya Rasa. The poetic quality of her interpretation of Saint Kabir’s Dohas adds layers of sweetness and beauty to her art.
Photos and Text © Chaitya Dhanvi Shah
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